Abstract

The Australian High Commission in London, located in an imposing, heritage-listed building known as Australia House, works to project a positive national image in its colonial motherland. Australia House has been the subject of a number of creative protests which utilise the building’s location on a traffic island to draw attention to Australia’s colonial use of the ocean as part of its ongoing mission to reign supreme as a white island in the otherwise racialised south Pacific. The protests draw attention to the violence Australia seeks to conceal in the distant island refugee prison camps on Manus and Nauru, and use the place of Australia House in the heart of London to “bring home” the historical colonial dimensions of Australia as a place today. Reading the protests through the lens of critical geography and legal history, we argue that the protests work to disrupt the business of the Australian High Commission by maneuvering the physical space of and around Australia House such that they memorialize, expose and interrupt the racist violence which the High Commission seeks to hide.

Highlights

  • The Australian High Commission in London is located in an imposing, heritagelisted building known as Australia House

  • A crowd consisting of both passers-by and supporters who had heard about the event on social media gathered to listen to the incident reports. Taking their seats on the pavement, this area in front of Australia House was temporarily turned into a theatre, with readers creating a live memorial to the ongoing abuse and daily suffering of those detained on Nauru

  • The protests discussed took place on the traffic island that serves as the foundation for Australia House in London, powerfully symbolic of Australia’s position as the largest of a conglomeration of islands in the Pacific Ocean

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Summary

Sarah Keenan

Sarah Keenan, School of Law, Birkbeck College, University of London, E-mail: s.keenan@bbk. ac.uk. From Pacific to traffic islands: challenging Australia’s colonial use of the ocean through creative protest. The Australian High Commission in London, located in an imposing, heritage-listed building known as Australia House, works to project a positive national image in its colonial motherland. Australia House has been the subject of a number of creative protests which utilise the building’s location on a traffic island to draw attention to Australia’s colonial use of the ocean as part of its ongoing mission to reign supreme as a white island in the otherwise racialised south Pacific. The protests draw attention to the violence Australia seeks to conceal in the distant island refugee prison camps on Manus and Nauru, and use the place of Australia House in the heart of London to “bring home” the historical colonial dimensions of Australia as a place today.

Introduction
Projecting images of the dead
Fazel Chegeni
Reza Berati
Hamid Khazaei
Unstoppable Boat
Nauru Files Reading
Findings
Conclusion
Full Text
Published version (Free)

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