Abstract

We are in 1563, somewhere on a Brazilian beach about 100 kilometres north of what is now São Paulo. A young man in a cowled robe alone on the beach is writing a poem on the sand with the point of his stick. The hostage of a savage tribe for weeks, he struggles daily against manifold carnal temptations, personified in the voluptuous native women who come to visit him every evening in his hammock, and addresses his Latin verses to the Virgin Mary in order to fortify his virtue. The threat of being killed and eaten by cannibals is nothing to him by comparison with the loss of his virginity. Recourse to his own original culture is the ultimate bulwark against contamination, the sign of resistance and strengthening of his identity. The definitive rejection of the Other is, in these circumstances, a survival reflex.

Full Text
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