From Opposition to Creativity: Saba Mahmood's Decolonial Critique of Teleological Feminist Futures

Abstract

Abstract Saba Mahmood's anthropological work studies the gain in skills, agency, and capacity building by the women's dawa movement in Egypt. These women increase their virtue toward the goal of piety by following dominant, often patriarchal norms. Mahmood argues that “teleological feminism” ignores this gain in agency because this kind of feminism only focuses on opposition or resistance to these norms. In this paper I defend Mahmood's “anti-teleological” feminist work from criticisms that her project valorizes oppression and has no vision for a nonoppressive feminist future. I argue the future envisioned by teleological feminists gets caught in “the Hegelian” trap of replicating past oppression in their feminist future. I find in Mahmood's work the tools to escape this trap. I argue, rather than a movement of overcoming oppression, Mahmood's work suggests an immanent and creative movement that emphasizes difference for a truly new future. I turn to a Bergsonian metaphor and argue that this movement can be seen as akin to the movement of biological evolution. I conclude using the work of Eve Sedgwick that the Egyptian women that Mahmood studies are being read in a “paranoid” fashion and demonstrate using Leila Ahmed a better “reparative” reading of these women.