Abstract

I am particularly indebted to Philippe Brunelle, conductor and artistic director of the Plymouth Music Series, Minneapolis, for introducing me to the works of Dominick Argento, and to Dominick Argento himself, who in tireless e-mail exchanges graciously consented to answer my most naive interrogations. The purpose of this paper is to bring to European attention Dominick Argento’s 1988 operatic version of Henry James’s The Aspern Papers, which was commissioned by the Dallas Opera to commemorat...

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