Abstract
We analyze the transformation of the architectural work in ruin, through a process of action of nature and time de-composed the work built on fragments, emerging dichotomies and dualities intrinsic to its essence, such as deterioration and beauty; presence and absence; memory and forgetting; reality and fiction; freedom and dangerous. Thus, the ruins are a new landscape that is not properly human or actual natural, but joint action, a sculptural and archaeological landscape, understanding that the fragments that compose it are able to reinterpret its essence, revealing a sense of human continuity. In rural areas the ruins sleep without urgency or time in the silence of forgetfulness, social sympathy, creating a mysterious playful and aesthetic space. Analyze a former worker-military camp in the Andes, where the dichotomies and dualities manifest themselves in a work-abandoned face the action of nature, peering into a timeless and indeterminate future.
Highlights
Analizamos la transformación de la obra arquitectónica en ruina, mediante un proceso de acción de la naturaleza y el tiempo que des-compone la obra construida en fragmentos de los que emergen dicotomías y dualidades intrínsecas a su esencia, como: deterioro-belleza, presencia-ausencia, memoria-olvido, realidad-ficción, libertad-peligro
Las ruinas constituyen un nuevo paisaje que no es propiamente humano ni natural, sino de acción conjunta, un paisaje escultórico y arqueológico, entendiendo que los fragmentos que la componen son capaces de reinterpretar su esencia, develando un sentido de continuidad humana
We analyze the transformation of the architectural work in ruin, through a process of action of nature and time de-composed the work built on fragments, emerging dichotomies and dualities intrinsic to its essence, such as deterioration and beauty; presence and absence; memory and forgetting; reality and fiction; freedom and dangerous
Summary
Analizamos la transformación de la obra arquitectónica en ruina, mediante un proceso de acción de la naturaleza y el tiempo que des-compone la obra construida en fragmentos de los que emergen dicotomías y dualidades intrínsecas a su esencia, como: deterioro-belleza, presencia-ausencia, memoria-olvido, realidad-ficción, libertad-peligro. Las ruinas constituyen un nuevo paisaje que no es propiamente humano ni natural, sino de acción conjunta, un paisaje escultórico y arqueológico, entendiendo que los fragmentos que la componen son capaces de reinterpretar su esencia, develando un sentido de continuidad humana. Analizamos el ex-campamento obrero-militar en la cordillera de los Andes, donde las dicotomías y dualidades se manifiestan propias de una obra en abandono frente a la acción de la naturaleza, asomándose a un futuro atemporal e indeterminado
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