Abstract

ABSTRACT This paper addresses epistemic violence in social science research, drawing on a multiyear study with marginalized teenagers in Old Havana, Cuba to articulate an onto-epistemological approach to knowledge production that can contribute to the decoloniality of knowledge production. Building on decolonial, feminist, Indigenous, and poststructuralist theories, the heuristic presented here contributes an alternative to conventional positivist understandings of knowledge, by defining knowledge as social, created, performed and resistant, and illustrates how these theoretical tenets can be made material in research practice, in this case through the use of arts-based methods. Responding to calls to decolonize knowledge within the field of children’s geographies and adjacent disciplines, this paper addresses the attendant need to reconceptualize what counts as knowledge and identify methodological innovations to support the achievement of these changes.

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