Abstract

Two fragments of a figure of Christ crucified from South Cerney parish church comprise the sole survivor of a Romanesque wooden Rood with an English provenance. This paper argues that it is an example of a Triumphkreuz originally located at the chancel arch of South Cerney church and seeks to establish its relationship to both pre-Conquest monumental stone Rood sculpture and wooden Triumphkreuze in northern Europe and Scandinavia. The Triumphkreuz appears to have been a standard feature of the greater churches of Norman England, but how common it was in post-Conquest parish churches is less clear. While church dedications suggest that devotion to the Holy Cross was particularly strong in south-west England, late-11th- and 12th-century mural painting and sculpture of chancel arches in parish churches over a wide area exhibit a close connection with the Rood.

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