From Kratzenstein to Wheatstone: Episodes in the early history of free reed acoustics

Abstract

In 1780 C. G. Kratzenstein published a paper in St. Petersburg describing a machine which produced vowel sounds using free reeds with resonators of various shapes. This marks a convenient, if arbitrary, starting point for the history of the free reed musical instruments of European origin. These instruments developed rapidly, and by 1850 the accordion, concertina, harmonica, reed organ, and harmonium all had been invented and developed into more or less final form. A key figure in this period is Charles Wheatstone, who not only published papers on acoustical research but was also an inventor and commercially successful manufacturer of musical instruments, most notably the Wheatstone English concertina. Much of Wheatstone’s research in acoustics and almost all of his work as an inventor of musical instruments involved free reeds. This paper presents some episodes in the development of the free reed instruments and some examples of acoustical research involving free reeds during the 18th and 19th centuries.