Abstract
The essay analyses the mereological structure of an act of intentional presentation, on the basis of Benussi' and Kanizsa's works. Several aspects are discussed, among which: The existence of diverse formats of representation, their eventual continuity, the presence of subjective integrations at primary levels, and the identification of phrases in the phenomenic structure of an act of presentation. It is argued that the difference between perceptual and mental presence, as elaborated by Kanizsa, proves to be a valid instrument for the categorial analysis of phenomenic appearances.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.