Abstract
The plays of William Shakespeare have been performed all over the globe. This is particularly true of the erstwhile colonies of Britain and India is no exception. Along with other English playwrights, Shakespeare’s plays began to be performed in India during the eighteenth century by British officials for their entertainment. Educated Indians took these performances as a model to develop ‘modern’ Indian theatre. The present essay engages with Shakespeare production in colonial Calcutta, starting with Shakespeare performances in English before moving on to consider the later process of ‘indigenizing’ Shakespeare. The essay also proposes that Shakespeare production in Calcutta after the 1850s when Shakespeare’s plays moved out of the confines of schools and colleges has been governed by its own aesthetics.
Highlights
Shakespeare has been in the repertoire of modern Indian theatre for at least two centuries
Shakespeare’s plays were performed, at least initially, by English-educated Indians in ‘imitation’ of those staged by British officials in India during the eighteenth and nineteenth centuries
Among the above-mentioned theatres, Chowringhee and Sans Souci were specially known for their Shakespeare performances such as Henry IV, Richard III, The Merry Wives of Windsor, The Merchant of Venice and Othello
Summary
Shakespeare has been in the repertoire of modern Indian theatre for at least two centuries. Shakespeare’s plays were performed, at least initially, by English-educated Indians in ‘imitation’ of those staged by British officials in India during the eighteenth and nineteenth centuries.
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