Abstract

The title story of Emine Sevgi Özdamar's ‘Der Hof im Spiegel’ has received the most critical attention of any piece from the collection, leading to the neglect of the composition of the collection as a whole. Reading it as a short story cycle and examining the connections between the texts reveals that they track developments in migration and integration from before German unification into the 1990s. Through her narrator Özdamar comments on developments in social initiatives to promote integration and mutual understanding, as well as advocating direct individual contact as the basis for intercultural understanding. She also explores possibilities of identification for those with a diasporic background which look beyond social models such as multiculturalism and transcend national borders and citizenship. In particular, Özdamar explores the potential of an adaptive cultural cosmopolitanism for establishing new lattices of identification as the basis for a re-orientated subjectivity in migration.

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