Abstract

Critics have traditionally adopted a humanistic and sentimental approach to Gogol’s work. A Lacanian analysis of Gogol’s ‘The Overcoat’ exposes the failings of other theoretical schools by offering a crucial reconsideration of intersubjectivity in the story. Gogol’s essential challenge of how to exist in a world regulated by verbal exchange becomes evident through a Lacanian reading. If we consider the literary text as a typical insertion of the subject into the symbolic realm, we may analyse through the skaz/narrative, the enunciation, the relationship between Gogol and the alienating structure of the Big Other. Stylistically, the resistance shown in the ambiguous narrative structure helps discredit a socio-sentimentalist theory that suggests emotional attachment for the protagonist.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.