Abstract
In the preceding chapters, I have traced several different forms that the project of redefining domesticity took in the work of different modernist women writers, where the historical gendering of the opposition between public and domestic spheres represented the limits of women’s social authority to either produce public discourse or to act as historical agents more generally. In this concluding chapter, I want to foreground two main points or defining tensions that have emerged over the course of this analysis: the tension between realistic representation and avant-garde experimentation, and the question of the extent to which modernist transformations of domesticity constitute a process of unlearning or undoing the forms of racial and class privilege that are presupposed by the model of domestic womanhood inherited from the nineteenth century.
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