Abstract
ABSTRACT Recent political science literature has identified the emergence of a new form of authoritarian regime, in which formal democratic institutions continue to exist but the playing field becomes seriously tilted towards the incumbents. This article offers an interpretation of the recent turn in Hungarian cultural policy in such a competitive authoritarian context. It focuses on state interventions that seek to limit the autonomy of the cultural sphere. They have the following features: 1) the growing significance of nationalist ideology (‘culture wars’), 2) an increasing instrumentalisation of cultural policy, and 3) no clear separation between cultural policy and politics (the emergence of political patronage and the replacement of the former cultural elite). The article explores the means, actors and institutions through which these interventions have occurred and the extent of their success.
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