Abstract

Two major reforms initiated in Romania during Nicolae Ceaușescu’s dictatorship (1965–89) tied the gendered domestic sphere directly to the urban landscape of socialism. In 1974, one of these reforms envisioned the restructuring of the city based on unprecedented mass housing construction using prefabricated elements. The other had criminalised abortion in 1966 in an attempt to increase the country’s population, (re)prescribing the essential role of women’s bodies in the social reproduction of socialism, thereby establishing the importance of domesticity in the formation of subjectivities and the (literal) reproduction of subjects. Taking this framework as a point of departure, and enquiring into state policies regulating the body and the home on the one hand and modes of appropriation by these spaces’ inhabitants on the other, the article argues that domestic architecture played a fundamental role in constructing and deconstructing women’s mythical position within state socialism. At the level of the city, the notion of natality opens peculiar perspectives upon the way in which urban planning responded to the legal framework that regulated the social body. The transition to the scale of the apartment through socialist and post-socialist ethnographic accounts and visual culture (art and film) brings to light a contradictory discourse, whereby women detached themselves from any idealised projection present in the public discourse. Shifting from the scale of the city to that of the apartment, the article builds on these antagonisms, unfolding the gendered (and convoluted) nature of the socialist domestic space.

Full Text
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