Abstract
ABSTRACT In this article, I investigate the ways in which Rastafari discourse on repatriation to Africa – articulated through reggae music – engages utopianism to varying degrees based on the artists’ proximity to Ethiopia. I discuss reggae songs composed and recorded in Jamaica by five different artists/bands that engage Ethiopia-focused utopianism and compare these with songs composed and recorded by one of the most famous repatriated Rastafari reggae artists in Ethiopia, Sydney Salmon who engages Ethiopia-grounded utopianism. I show how proximity to Ethiopia shapes artistic motivations for and representations of a Rastafari utopia while highlighting continuities and variations in Rastafari utopianism.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
