Abstract
AbstractAs a child of Vietnamese refugees who settled in suburban Mississauga in Ontario, Thompson Cong Nguyen describes his hybrid cultural identity, queerness and complex inter‐relations with the historic ritual of his ancestors and the divergent manifestations of Canadian society. He does so through the design of the set of transportable altars that were part of his MArch thesis at the Azrieli School of Architecture and Urbanism at Carleton University in Ottawa.
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