Abstract
Abstract This article deals with the life and music-theoretical writings of the Damascene scholar Muḥammad al-ʿAṭṭār (1764–1828). The re-identification of a small treatise on music theory entitled Nubḏa mina l-mūsīqī as the latter’s Risāla that was mentioned and quoted by his student Mīḫāʾīl Mušāqa (1800–88) and the detailed analysis of it and his Rannat al-awtār led to a reconsideration of the emergence of the commonly called “modern” Arabic music theory, and to a reassessment of the role of al-ʿAṭṭār and Mušāqa in the establishment of the 24-tone equal temperament. A critical edition of the Nubḏa is attached to the article.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
