Abstract

From 2000s to the Present, Analysis of Use of Portraits in Ex-libris Design

Highlights

  • In accordance with data collected from the International Ex-libris Activities that became widespread in Turkey and the world, and with the analysis of the works in the ex-libris collections of various museums, this study aims to reveal the technological and formal differences of portrait usage that vary from country to country

  • Ex-libris is an artistic interpretation of printed picture products that is affixed to the inside of books and expresses the identity of the book owner or a library

  • In the Frederikshavn Art Museum Exlibris Collection, in the post-2000 period, among the 346 works produced with emphasis on portraiture use and of which the making techniques were determined, 30% were made using etching technique (C3), 7% aquatint technique (C5), 6% linoleum printing technique (X3) (Linocut), 6% was made using burin engraving on copper technique (C2) (Burin engraving), 5% were computer generated design

Read more

Summary

Introduction

In accordance with data collected from the International Ex-libris Activities that became widespread in Turkey and the world, and with the analysis of the works in the ex-libris collections of various museums, this study aims to reveal the technological and formal differences of portrait usage that vary from country to country. Ex-libris is an artistic interpretation of printed picture products that is affixed to the inside of books and expresses the identity of the book owner or a library. They are small in size because they are prepared by considering the book dimensions. As a result of the invention of the printing press and the reproducibility of the books, the art of ex-libris developed in the 16th century and gained considerable demand These rare artifacts, which contain all the subtleties of the artistic style of the period, were designed by respected original print artists for mostly famous lawyers, writers, statesmen, scientists, doctors and libraries. The artist has skillfully illustrated the Renaissance German humanist writer and lawyer Willibald Pirckheimer with the natural look in his eyes, and the details of his garment together with the effect of light. (See figure 1)

Objectives
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call