Abstract

Genuine Froebelian implications in early childhood song texts depend upon the extent to which they adhere to Friedrich Froebel' s goals and purposes, rather than whether they refer to him or paraphrase his material. Turn-of-the-century songs sometimes neglect genuinely childlike, and thus Froebelian, considerations. Even the most important revision of Froebel' s Mother-Play and Nursery Songs, Susan Blow' s The Songs and Music of Froebel' s Mother-Play, leaves something to be desired in genuine Froebelian philosophical thought. Texts that deal with religion, morality, and ethics tend to tell rather than to suggest subtly and therefore miss a fundamental Froebelian methodological point. Only those song texts that accurately reflect Froebel' s teachings, philosophy, and methodology have truly Froebelian implications.

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