Friend as Enemy

Abstract

Richard Rorty famously claimed that the difference between analytic and continental philosophers, boils down to a political one—analytical philosophers are predominantly liberals who share a belief in the rule of law and the institutions of modern constitutional democracy, while the continental ones tend to be more pessimistic about this political arrangement, and much more prone to experiment with the alternatives. But where does this leave the members of that rare breed—philosophers who see themselves as working in both traditions? In order to answer that question for himself, Rorty has written several books proclaiming his faith in liberalism and America as its most prominent example. But what about Stanley Cavell—a philosopher inspired equally by Ludwig Wittgenstein, J.L. Austen, Ralph Waldo Emerson, Friedrich Nietzsche and Martin Heidegger? It is difficult to answer this question straightforwardly, since, although many of his writings are in some sense deeply political, Cavell rarely wrote explicitly on politics, especially in respect of modern ideological struggles. One way someone interested in this question could go about trying to answer it is by turning to Cavell’s encounters with more explicit representatives of certain ideological positions. That is exactly what I intend to do in this paper—by turning to Cavell’s engagement with Yugoslav director Dušan Makavejev.