Abstract

Sigmund Freud’s reading of the classics and Greek mythology is well documented. By contrast, Edward Said’s reading of Freud has received little attention. This article considers three main issues: how Said and Freud thought about and used ancient and classical Greek literature; the ways in which Said has read Freud reading the ancient and classical worlds; the significance of ambivalence and analogy for these readings. The article concludes that there is a necessary relationship between analogy and ambivalence. Primarily chronological, the reading also draws on Freud’s notions of latency and repression to track how Said’s approaches to ambivalence and analogy changed. In the case of Said, it is possible to attribute some of these changes to the impact of Bernal’s Black Athena, which encouraged him to review the notions of ancient Greek society which underpin Orientalism, and to Bernal’s narrative inspiration, Kuhn’s The structure of scientific revolutions. Latency and repression make it possible to posit prehistories. Therefore, the article also examines the ways in which Freud and Said have been obliged to assume continuities between prehistory and history, and between individual and mass psychology.

Highlights

  • Sigmund Freud was an avid collector of ancient objects from Greece, Egypt and the Middle East (Armstrong 2005:33–34; Downing 1975:6; Tourney 1965:71), and references to Latin and Greek texts, classical Greek tragedy, archaeology and anthropology abound in his writing

  • The new paradigm emerges by suppressing the suppressive aspects of the old paradigm, and these writers seek to incorporate aspects of the preceding paradigms so that the histories they propose and the societies they envisage can accommodate and tolerate a greater range of different differences, not merely the differences that the old paradigm manufactures for itself

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Summary

Original Research

Read online: Scan this QR code with your smart phone or mobile device to read online. The reading draws on Freud’s notions of latency and repression to track how Said’s approaches to ambivalence and analogy changed. Sigmund Freud se lesing van die klassieke en die Griekse mitologie is goed gedokumenteer. Hierdie artikel stel drie hoofkwessies aan die orde: Wat Said en Freud oor antieke en klassieke Griekse literatuur gedink het en hoe hulle dit gebruik het; die wyse waarop Said Freud se lesing van die antieke en klassieke wêreld gelees het; die betekenis van ambivalensie en analogie vir hierdie lesings. Hoofsaaklik chronologies aangepak, steun hierdie lesing ook op Freud se opvattings oor latentheid en repressie om aan te toon hoe Said se opvattings oor ambivalensie en analogie verander het. Die artikel ondersoek derhalwe ook die wyse waarop Freud en Said verplig was om kontinuïteite tussen voorgeskiedenis en geskiedenis, en tussen individuele en massapsigologie te veronderstel

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