Abstract
The monopoly of the Brazilian civil-military dictatorship memory is fiercely disputed by left and military, since the disposal of the president Joao Goulart in 1964. The battle, already, extends to the inside of this groups (by not being monolitics). In this way, the analysis of the Frei Betto’s letters seeks to understand the work of his memorialistic project about the period, in order to emphasize how the memory used by the author to stand in the face of conflicts that marked his context of production. It’s pretended to trace the discursive strategies developed by the writer to claim the status of truth to his narrative in front of the versions of political opponents and companies of militancy.
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