Abstract

The role of artists in the First World War is often understood only in terms of their artistic response to the conflict in paint, music, or sculpture. In fact, artists’ contributions were also engaged at an applied level, for example in the areas of propaganda, camouflage, and map-making. Beyond this, a small number participated in repairing the damage caused by the conflict. Frederick Coates, a British-born sculptor who emigrated to Canada in 1913, enlisted with the Canadian Expeditionary Force and worked alongside surgeons and other artists to try and help give new features to facially injured combatants. Drawing upon unpublished photographs and scrapbooks, this article investigates Coates’s war experience and his contribution to the reconstruction of broken faces. Through a close examination of this ‘facial architect’, as Coates was called, this article gives an insight into the work performed in maxillofacial hospitals and underlines the importance of cross-national, multi-disciplinary collaboration.

Full Text
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