Abstract
ABSTRACTThis paper aims to show how the photography of Frederick A. Cook (1865–1940) played an important role in the making of his polar explorer-hero image. It considers portraits and Arctic and Antarctic photographs that Cook used in his own publications and illustrated lectures, and which he provided for press articles. The paper is underpinned by discourse analysis and the concept of the photograph as a representation of reality filtered through various lenses. The visual impact and discursive messages of the photographs were aimed at situating readers and audiences in responsive attitudes that would generate a public persona which he exploited to increase his fame and heroic reputation. In time, Cook's photography also played a critical part in the collapse of the hero image.
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