Abstract
This article examines the role of the public humanities in France during Covid-19 for self-preservation, coping with isolation, understanding an upended world, creating a sense of connection and belonging, and cultivating empathy for others. For instance, in dealing with the existential angst of confinement and economic woes, one of the novels that resonated the most in France and globally was Albert Camus’s The Plague. At the very moment that France enforced measures to restrict access to places of culture, many French people turned to the humanities for comfort and perspective. The pandemic accelerated the need for libraries, galleries, bookstores, museums, concert halls, opera houses, theaters, cinemas, and nightclubs, as well as places of dialogue like cafés and bistros. Dialogue and the cocreation of physical and virtual communities were needed as the spread of false information relating to science, vaccines, and nation exacerbated pre-pandemic divisions in French culture.
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