Abstract
In this article we examine fractal curves and synthesis algorithms in musical composition and research. First we trace the evolution of different approaches for the use of fractals in music since the 80’s by a literature review. Furthermore, we review representative fractal algorithms and platforms that implement them. Properties such as self-similarity (pink noise), correlation, memory (related to the notion of Brownian motion) or non correlation at multiple levels (white noise), can be used to develop hierarchy of criteria for analyzing different layers of musical structure. L-systems can be applied in the modelling of melody in different musical cultures as well as in the investigation of musical perception principles. Finally, we propose a critical investigation approach for the use of artificial or natural fractal curves in systematic musicology.
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