Abstract
The research addresses some digital implementations in music-specificprogram ming environments generated by Xenakis' musical concepts, capitalizing on influences of the composer's artistic thinking. Starting from the identification of four states of his personality, I present and analyze selected software that bears the imprint of the composer's ideas or influence and techniques that were at the basis of the conception of the composition I.X.@100 for soprano and tape.
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Schedule a callMore From: Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts
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