Four seasons in femininity orfour men in a woman's life

Abstract

The feminine complaint that Alex's passion echoes, raising it to a level rarely attained, is not limited to the pursuit of sexualjouissance. Nor can it be reduced to an aversion on the part of women to a morality of the signifier, as maintained by a certain reading of Freud. Very precisely, the persistent note in feminine restlessness is a certain relationship of the subject to the insufficiency of the signifier, which the quest for love registers. The fact that language lacks the very quality that would make it credible and that would guarantee that discourse corresponds to what desire attests to is what delivers femininity over to the unnameable. In love she requires from the other member of the social bond the signifier that is lacking within the structure of femininity and that causes the call tojouissance in her body that drives her to distraction. Thus, the structure at stake in femininity, to which Alex's hysterical passion bears witness, defines in writing, that is, by a mark left on the body, the limitation of the reality of ajouissance which persists beyond the signifier and the object of the fantasy. When the analyst's desire offers support to this quest for a limit tojouissance on the part of a subject, it is in desire that the reality of sex and the other is linked to the signifier that would testify to the truth of the amorous discourse in the unconscious. Thus from one man to another, from the love of the father to the loss of a son, including the desire of the lover and the law of the husband, a woman finds herself supporting, with the letter of her body, the signifier which in its words testifies tojouissance as a place to lose oneself.