Four-flux model of the light scattering in porous varnish and paint layers: towards understanding the visual appearance of altered blanched easel oil paintings

Abstract

Blanching of easel oil paintings is a recurring alteration that can affect the varnish layer and also the paint layer itself, and strongly alter the visual appearance. Our examinations by field emission gun scanning electron microscopy (FEG-SEM) of altered and unaltered samples revealed the presence of spherical pores in the altered layers, with a pore size ranging from few nanometers to few micrometers. The aim of the present study is to corroborate that the visual appearance modification can be explained by light scattering theories (Mie or Rayleigh depending on the pore size of the considered layer). The four-flux model was used to resolve the radiative transfer equation (RTE) and model the light scattering in porous varnish layers as well as in porous green earth and raw umber oil paint layers. It enables to highlight that the pore size has an important impact on the visual appearance of the altered layer (color and opacity modification). The pore concentration and the thickness of the altered part affect, however, only the opacity. This work points out that the blanching of easel oil paintings is due to light scattering by the pores, which is an important result toward the proposal of adapted and durable future conservation treatments.