Abstract

Abstract In Italy, after the victory of Giorgia Meloni’s post-fascist party, “Fratelli d’Italia,” several studies began to discuss whether or not the country has come to terms with the memory of fascism, its role as an inspirer of Nazism, and the collaboration with Nazi Germany in the Holocaust. Especially the latter, scholarly literature pointed out, has failed to receive the attention it deserves. This article argues that this is particularly true with regard to public history, the way historical information and events are interpreted and presented to the general public, and focuses on public museums exhibiting the Holocaust and resistance. Evidence for this article comes from two in-depth case studies regarding the oldest yet unaltered Liberation Museum in Rome and the Museum-Monument to Racial and Political Deportees in the Nazi Lagers in Carpi. The article contends that within these museums, the narration of resistance prevails, whilst evidence of Italy’s past collaborationism remains hidden and unexhibited. In essence, these museums emphasise national heroism and sidestep Italian accountability in the Holocaust.

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