Abstract
Abstract This article proposes that in The Office Kieslowski uses visual fragmentation and asynchronous sound to express an epistemological doubt. The film’s disjunctive form represents the impossibility of a rational depiction of the world of a communist bureaucracy. Instead, only an archive of images and sounds can be compiled.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Similar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.