Abstract
The aim of the article is to determine the main principles of modern-jazz dance, folk-modern dance and rock-ballets, to analyze the latest publications, which deal with the development of the modern-dance styles in Ukraine.Research methodology Two theses were analyzed during the scientific research, three articles became the base for the study, and some performances were taken for the study in art criticism in Ukraine and abroad.Results. The study demonstrates the newest forms of modern dance. The author considers the evolution of modern dance in Ukraine and other European countries. The paper observes the publications, which deal with the rock-ballets in Ukraine and Europe, and the activities of modern dance choreographers, such as Boris Eyfman, Alla Rubina, Radu Poklitaru. The author analyzes the artistic style of Maurice Béjart and his creative contribution to the development of the jazz-dance, modern styles of dancing, etc. The author describes the development of the folk-modern dance in Ukraine and European countries, due to Alla Rubina’s art activities in the Jewish theatre, and her works with the modern artists. The author obtains the common picture of the development of the modern dance in Ukraine.Novelty. An attempt is made to describe the newest styles in choreography in the post-modern period in Ukraine, the way they are connected with the modern-dance, what is common and different in them.The practical significance. Ukrainian researchers can find the opportunity to develop issues on the modern-jazz dance and folk-modern dance. It is the first attempt to create the art criticism analysis of post-modern choreography in Ukraine.Key-words: jazz-modern dance, folk-modern, rock-ballet, Culture of Western Europe, Ukrainian Academy of Ballet, modern-dance.
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