Forming “affective communities” and narrative forms of affection: Damon Galgut’s Arctic Summer

Abstract

ABSTRACTThis article examines Arctic Summer (2014) by Damon Galgut, a biographical novel focused on a period in the life of British author E.M. Forster. My inquiry is concerned with narrative form and aesthetics that limn affiliations between the two authors’ creative and sexual sensibilities and struggles, and how forms of affective affiliations are forged through narration and narrative stylistics. I discuss critical responses to Galgut’s oeuvre and trends in South African literary production post-1994, to introduce ideas about his non-conformist creative impulses. I reflect on hybrid narrative form, generic ambiguities, and aesthetics to consider how affective affiliations are fashioned in Arctic Summer and beyond the boundaries of the text when compared to Galgut’s In a Strange Room (2010). Leela Gandhi’s thoughts on “affective communities” inform my argument that the representation of sexuality and bonds of affection in Arctic Summer enables formal and nonconformist affinities across temporal and spatial registers.