Abstract
Abstract In this paper we show how we can formally describe Generative Structures (GS) of musical pieces. We considered as a particular case study “The Rite of Spring”, by I. Stravinsky. The first goal of our research has been the identification of relationships among Music Objects (MOs) belonging to the piano duet or the orchestral score or both. Our formalization has been made by means of an “ad hoc” arrangement of hierarchical Petri Nets (PNs) and a music algebra; music objects are connected to places; music transformations are described by algorithms connected to transitions and are coded by expressions which are based on the set of operators and the syntactic rules we have defined.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
