Abstract

To function effectively, animal signals must transmit through the environment to receivers, and signal transmission properties depend on signal form. Here we investigated how the transmission of multiple parts of a well-studied signal, bird song, varies between males and females of one species. We hypothesized that male and female songs would have different transmission properties, reflecting known differences in song form and function. We further hypothesized that two parts of male song used differentially in broadcast singing and aggressive contests would transmit differently. Analyses included male and female songs from 20 pairs of canyon wrens (Catherpes mexicanus) played and re-recorded in species-typical habitat. We found that male song cascades used in broadcast singing propagated farther than female songs, with higher signal-to-noise ratios at distance. In contrast, we demonstrated relatively restricted propagation of the two vocalization types typically used in short-distance aggressive signaling, female songs and male “cheet” notes. Of the three tested signals, male “cheet” notes had the shortest modeled propagation distances. Male and female signals blurred similarly, with variable patterns of excess attenuation. Both male song parts showed more consistent transmission across the duration of the signal than did female songs. Song transmission, thus, varied by sex and reflected signal form and use context. Results support the idea that males and females of the same species can show distinctly different signal evolution trajectories. Sexual and social selection pressures can shape sex-specific signal transmission, even when males and females are communicating in shared physical environments.

Highlights

  • Animal communication signals are shaped by many factors, including signaler and receiver morphologies, physiology, physical environments, and social environments (Brenowitz et al, 1997; Slabbekoorn and Smith, 2002; Podos et al, 2004; Bradbury and Vehrencamp, 2011)

  • Our models comparing male song cascades with female songs confirmed acoustic degradation, as all three measures of signal transmission varied with distance (BR: F = 81.83, p < 0.0001, excess attenuation (EA): F = 103.75, p < 0.0001, signal-to-noise ratio (SNR): F = 369.80, p < 0.0001) (Figure 2 and Table 1)

  • Female songs had lower signal-to-noise ratios (F = 31.93, p < 0.0001) than male song cascades, but blur ratio (F = 1.05, p = 0.31) and excess attenuation were similar for the two sexes (F = 0.97, p = 0.33)

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Summary

Introduction

Animal communication signals are shaped by many factors, including signaler and receiver morphologies, physiology, physical environments, and social environments (Brenowitz et al, 1997; Slabbekoorn and Smith, 2002; Podos et al, 2004; Bradbury and Vehrencamp, 2011). Signal evolution has been well studied in birds, with extensive research examining the form and function of male broadcast songs (Thorpe, 1961; Catchpole and Slater, 2008). Much less work has examined the properties of female songs (Odom and Benedict, 2018; Riebel et al, 2019). Broadcast songs, by their very nature, should be adapted to transmit long distances, leading many authors to emphasize. Evaluating the transmission properties of different avian songs can illuminate how evolution shapes signal form in conjunction with function, and will help to explain the diversity of bird songs found in nature. Males and females of the same species provide a interesting test case for such comparisons because they occupy the same physical spaces but can be subject to different sexual and social selection regimes (West-Eberhard, 1983)

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