Abstract

This research investigates the spatial landscape of Hong Kong's earliest imperial war monument, the Cenotaph, from the city's early colonial past to the 1960s. Hong Kong's Cenotaph, which is an almost exact replica of London's Whitehall Cenotaph, reveals how the British Empire established its imperial visual network in its colonies in the early 20th century. However, the prewar visual representation of the royal authorities through the statues of royal members in the colony's central square was replaced by politically neutral designs for civic use after the end of WWII. Through the exploration of the change of meaning of this monumental space in relation to its neighboring environment, I argue that the end of WWII, the social upheavals in the 1960s and the consequent “depoliticization” of British colonial rule have transformed the early war commemorative artefacts in Hong Kong, marginalizing them in the city's major narrative.

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