Forging Identity: Beethoven's "Ode" as European Anthem

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Previous articleNext article No AccessForging Identity: Beethoven's "Ode" as European AnthemCaryl ClarkCaryl Clark Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 23, Number 4Summer, 1997 Article DOIhttps://doi.org/10.1086/448854 Views: 105Total views on this site Citations: 17Citations are reported from Crossref Copyright 1997 The University of ChicagoPDF download Crossref reports the following articles citing this article:Stanley D. Brunn Reading and Mapping the Worldviews of Island States through National Anthems: Celebrating Deity, Identity, Landscapes and Unity, Miscellanea Geographica 0, no.00 (May 2022).https://doi.org/10.2478/mgrsd-2022-0005Stanley Waterman National Anthems and National Symbolism: Singing the Nation, (Oct 2019): 2603–2618.https://doi.org/10.1007/978-3-030-02438-3_102Manuel Reyes Enverga Meme-ing Europe: examining the Europeanization of humorous discourse in an online meme community, Journal of Contemporary European Studies 27, no.33 (Jun 2019): 317–342.https://doi.org/10.1080/14782804.2019.1624510George Corbett Annunciations, (May 2019).https://doi.org/10.11647/OBP.0172Stanley Waterman National Anthems and National Symbolism: Singing the Nation, (Mar 2019): 1–16.https://doi.org/10.1007/978-3-319-73400-2_102-1Giorgio Resta Beethoven’s Ninth and the Quest for a European Identity: A Law and Music Perspective, (Feb 2018): 361–375.https://doi.org/10.1007/978-3-319-68649-3_24Naomi Winstone, Kirsty Witherspoon ‘It’s all about our great Queen’: The British National Anthem and national identity in 8–10-year-old children, Psychology of Music 44, no.22 (Mar 2016): 263–277.https://doi.org/10.1177/0305735614565831Alfonso Del Percio On the social life of a city anthem: semiotic objects, ideologies of belonging, and the reproduction of sociocultural difference, Social Semiotics 25, no.44 (Aug 2015): 517–531.https://doi.org/10.1080/10350330.2015.1059577NICOLE SCICLUNA When Failure isn't Failure: European Union Constitutionalism after the Lisbon Treaty*, JCMS: Journal of Common Market Studies 50, no.33 (Jan 2012): 441–456.https://doi.org/10.1111/j.1468-5965.2011.02239.xNECATI POLAT European integration as colonial discourse, Review of International Studies 37, no.0303 (Jul 2010): 1255–1272.https://doi.org/10.1017/S0260210510000495Peter Höyng Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange, The German Quarterly 84, no.22 (Apr 2011): 159–176.https://doi.org/10.1111/j.1756-1183.2011.00109.xRachel Cowgill Canonizing remembrance: music for Armistice Day at the BBC, 1922–7, First World War Studies 2, no.11 (Mar 2011): 75–107.https://doi.org/10.1080/19475020.2011.555499Shana L. Redmond Citizens of sound: negotiations of race and diaspora in the anthems of the UNIA and NAACP, African and Black Diaspora: An International Journal 4, no.11 (Jan 2011): 19–39.https://doi.org/10.1080/17528631.2011.533875Kathleen R McNamara Constructing Europe: Insights from historical sociology, Comparative European Politics 8, no.11 (Apr 2010): 127–142.https://doi.org/10.1057/cep.2010.8Avi Gilboa, Ehud Bodner What are your thoughts when the national anthem is playing? An empirical exploration, Psychology of Music 37, no.44 (Oct 2009): 459–484.https://doi.org/10.1177/0305735608097249François Foret Bibliographie, (Aug 2008): 271–290.https://doi.org/10.3917/scpo.foret.2008.01.0271Michael Th. Greven Mitgliedschaft, Grenzen und politischer Raum: Problemdimensionen der Demokratisierung der Europäischen Union, (Jan 1998): 249–270.https://doi.org/10.1007/978-3-663-01337-2_11