Foreign Communication of Ethnic Minority Films in the Perspective of Chinese Modernization

Abstract

Ethnic minority films play an important strategic role in foreign communication. From the internal perspective of landscape construction in Chinese minority films, this paper examines the practice of self-expression of such films in terms of natural and humanistic landscapes in the past. From the external perspective of "other" thinking, this paper examines the lack of self-image in the past minority films. In the face of such a lack of position, this paper considers the path of discourse breakthrough in the light of Chinese modernization, which is the latest achievement of the Communist Party of China (CPC)'s century-long modernization ideological development, and argues that in order to further "go to the sea", ethnic minority films need to be "firm and self-centered, and at the same time embrace the whole world", It is believed that in order to further "go overseas", ethnic minority films need to "firmly focus on themselves and have a heart for the whole world", and "go deep into the culture and express their national characteristics".