Abstract
In his essay “Forbidden Words: Taboo Texts in Popular Literature and Film,” Whitty investigates the occult in popular fiction beginning in the nineteenth century and in film since the twentieth century. He discovers a recurring theme in these works: the discovery of an esoteric text containing “forbidden words,”that reveal knowledge of secrets that unleash powerful evil. His broad survey of forbidden words ranges from the Garden of Eden, the Kabala, to the Victorian penny dreadful, to the “Weird Tales” magazine, and the vampire novels of Anne Rice, to name a few.He takes us through myriad films including Nosferatu(1920), The Mummy (1932), The Seventh Victim(1943), Rosemary’s Baby (1968),TheExorcist(1973), and Ruby Sparks (2012) to demonstrate thissame phenomenon.
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