Abstract
ABSTRACTBuilding on the textually (Dolven), temporally (Salamon) and topographically (Webster) illuminated analyses of Vanessa Place’s Rape Jokes, this piece articulates the “rationally” contrarian ethics of the real (gendered body) dummified in her reiterative metapoetic practice by critically exploring its communicative potentials as well as its radically composed platform itself.
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