Abstract

Following Jakobson and Levi-Strauss [1] famous analysis of Baudelaire’s poem ‘Les Chats’ (‘The Cats’), in the present study we investigated the reading of French poetry from a Neurocognitive Poetics perspective. Our study is exploratory and a first attempt in French, most previous work having been done in either German or English (e.g. [2] [3] [4] [5] [6]). We varied the presentation mode of the poem Les Chats (verse vs. prose form) and measured the eye movements of our readers to test the hypothesis of an interaction between presentation mode and reading behavior. We specifically focussed on rhyme scheme effects on standard eye movement parameters. Our results replicate those from previous English poetry studies in that there is a specific pattern in poetry reading with longer gaze durations and more rereading in the verse than in the prose format. Moreover, presentation mode also matters for making salient the rhyme scheme. This first study generates interesting hypotheses for further research applying quantitative narrative analysis to French poetry and developing the Neurocognitive Poetics Model of literary reading [NCPM; 2] into a cross-linguistic model of poetry reading.

Highlights

  • Following Jakobson and Levi-Strauss famous analysis of Baudelaire’s poem ‘Les Chats’ (‘The Cats’), in the present study we investigated the reading of French poetry from a Neurocognitive Poetics perspective

  • Like for first fixation duration, there was no interaction between Reading Sessions and Visual Presentation

  • We used eye tracking to measure the effect of Visual Presentation mode on reading behavior of a French sonnet

Read more

Summary

Introduction

Following Jakobson and Levi-Strauss famous analysis of Baudelaire’s poem ‘Les Chats’ (‘The Cats’), in the present study we investigated the reading of French poetry from a Neurocognitive Poetics perspective. We focussed on rhyme scheme effects on standard eye movement parameters Our results replicate those from previous English poetry studies in that there is a specific pattern in poetry reading with longer gaze durations and more rereading in the verse than in the prose format. Presentation mode matters for making salient the rhyme scheme This first study generates interesting hypotheses for further research applying quantitative narrative analysis to French poetry and developing the Neurocognitive Poetics Model of literary reading (NCPM; Jacobs, 2015a) into a cross-linguistic model of poetry reading. It is relatively new having participants read large portions of literary texts This is part of both the Cognitive and Neurocognitive Poetics perspectives (Jacobs, 2015b; Stockwell, 2002). We want to understand the processing of poetry, and it is necessary to present text parts but to use an entire poem with a lot of rhetorical figures on all levels shared between lines, i.e. the famous poem Les Chats

Objectives
Methods
Results
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call