Folklore Motifs In Alisher Navoi’s Epic “Sabai Sayyar

Manzura Narzikulova

doi:10.37547/tajssei/volume03issue06-42

Abstract

The article deals with the traditions of folklore in the works of Alisher Navoi, the role of mythology and folk art in the epic “Sabai Sayyar”, the plot of the epic in folklore, the connection of the main motives with folklore; folklore traditions in the interpretation of the composition and image system of the epic “Sabai Sayyar”; the sources of the plot of the epic “Sabai Sayyar” in the folklore of the peoples of the East and the artistic evolution of the epic plot are analyzed. The plot of the epic “Sabai Sayyar” is clarified in connection with the traditions of Uzbek folk epics.

Highlights

There are works in Uzbek classical literature that are traditional in terms of their creation, but in terms of their literary and artistic background, they are based on the ancient ideas, mythological views and folklore of our people
One of the main points that show the closeness of the epic “Sabai Sayyar” to folklore is that the molding plot line, which is
The main plot line of the epic the adventures of Bahrom and Dilorom begins with a folklore image

Summary

Introduction

There are works in Uzbek classical literature that are traditional in terms of their creation, but in terms of their literary and artistic background, they are based on the ancient ideas, mythological views and folklore of our people. One of the main points that show the closeness of the epic “Sabai Sayyar” to folklore is that the molding plot line, which is The main plot line of the epic the adventures of Bahrom and Dilorom begins with a folklore image.

Results

Conclusion