Abstract

The purpose of the work is to comprehend the folklore-literary continuum in the major epic works of national writers. The relevance of the research is due to the scientific and cognitive interest in folklore aesthetics, which determined the dynamics of the development of artistic thought. The novelty of the research is to study the specifics of the inseparable interaction of oral literature and literature within the chronological period of the 1960s-1990s. The main attention is projected on the novel prose of the classics of Ingush and Karachay-Balkar literature Idris Bazorkin (1910-1993) and Alim Teppeev (1937-2010), who made a significant contribution to the development of artistic and intellectual thought of the North Caucasus region. The creative nature of the connection of these aesthetic systems contributes to the philosophical understanding of the historical events recreated by the authors in the life of an ethnic group, the comprehension of national psychology. The appeal to the images of the Ingush and Karachay-Balkar Nart epos, folklore motives is due to the solution of the problems of the spiritual evolution of the literary hero in the context of time. The conducted research allowed us to conclude that the continuity of folklore and literature gives prose works a high aesthetic beginning, the factor of creative evolution contributes to the creation of a national picture of the world, the achievement of artistic expressiveness.

Highlights

  • Considering the social context as a historical condition within which the discourse of the individual functions, allows, along with the analysis of discourse as communication, to carry out the study of the extralinguistic situation of the actualization of discourse, to characterize the socio-political views of the individual, his mentality

  • The main attention is projected on the novel prose of the classics of Ingush and Karachay-Balkar literature Idris Bazorkin (1910-1993) and Alim Teppeyev (1937-2010), who made a significant contribution to the development of artistic and intellectual thought of the North Caucasus region

  • We have taken for comparison the classics of North Caucasian literature and the Nart epic, which is significant for the preservation of the Vainakh identity

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Summary

Introduction

Considering the social context as a historical condition within which the discourse of the individual functions, allows, along with the analysis of discourse as communication, to carry out the study of the extralinguistic situation of the actualization of discourse, to characterize the socio-political views of the individual, his mentality. We have taken for comparison the classics of North Caucasian literature and the Nart epic, which is significant for the preservation of the Vainakh identity. In this case, the discursivehistorical approach seems acceptable for studying a person, his discourse in a certain cultural and historical environment. The discursivehistorical approach seems acceptable for studying a person, his discourse in a certain cultural and historical environment This approach is the most important in ethno-oriented teaching since it makes it possible to form a positive ethno-identity. Among the urgent tasks facing the Russian literary criticism, the aspects of studying the continuity of spiritual heritage, the refraction of folklore traditions in literature in the process of its evolution are highlighted. In the works of modern North Caucasian researchers, an attempt is made to consider the problem of interaction between two aesthetic systems, to identify the spiritual and moral foundations of the artistic world of leading national writers, to study the specifics of the manifestation of the mytho-folklore worldview in their work (Dakhkilgov, 2007; Gutov, 2009; Dzhambekova, 2010; Martazanova, 2017; Sarbasheva, 2015-2017; Mamieva, 2015-2019; Martazanov, 2019)

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