Abstract
Large ‘folio’ editions of the Bible have been known since the age of printing began. Gutenberg’s magnificent editio princeps and such other editions as Cardinal Ximenes’s Complutensian Polyglot amply demonstrated the early concept that the Word of God should not only be inspiring but should also be presented in a physically impressive format. In England the Great Bible, the Bishops’ Bible and the original Authorized Version (AV) of 1611 followed this tradition.
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