Focus prosody in Japanese reconsidered

Shinobu Mizuguchi,Koichi Tateishi

doi:10.3765/plsa.v3i1.4291

Abstract

Japanese is a pitch accent language where lexical items are divided into two groups: Accented (A) and Unaccented (U). Previous studies suggest that, for A words, focus boosts the pitch of the accent peak and triggers either compression of the pitch range and/or Downstep in the post-focal domain, but they are not clear on how focus on U words is implemented. The purpose of the paper is to examine how focus in Japanese is realized and perceived in various accentual conditions by production and perception experiments which tightly controlled the focus status and accent status of word pairs. We predict that, similar to focus on A words, focused U words will be endowed with F0 Rise and Post-focal Fall, and listeners can identify focus with high accuracy. Our results show that U words have the focal characteristics of F0 Rise and Post-focal Fall, but failed to show up constantly in all sequences considered, which leads to a significant difference in perception between the focus on U words and the one on A words. There are controversies over whether focus builds its own independent prosodic phrase in the Japanese literature. If focus necessarily initiates a new Phonological (Major) Phrase, we would not expect such murky results as ours, so we should conclude that focus does not initiate a new prosodic category, which accords with Ishihara (2003) and others.

Highlights

The purpose of this paper is to examine how focus in Japanese is realized in various accentual conditions
We found that perception of focus can be significantly worse in some particular prosodic/accentual environments, which we would not expect if the effects of focus is categorical
Before going into the details of our experiments and results thereof, we provide a brief overview of Japanese accentual systems and intonation, along with reviews of the literature on the production and perception of prosodic focus in Japanese

Summary

Introduction

The purpose of this paper is to examine how focus in Japanese is realized (and perceived) in various accentual conditions. Pierrehumbert and Beckman (1988) state, based on their description of F0 trends of Japanese, focus forces the initiation of a new major (phonological) phrase, in addition to a series of major phrases based on syntax (Selkirk and Tateishi (1991)) and other prosodic reasons. We argue that the effects of focus on pitch in speech production is not as strong as initiating a new phonological category, which in part accords with Shinya’s (1999) important observation that focus can be downstepped. We found that perception of focus can be significantly worse in some particular prosodic/accentual environments, which we would not expect if the effects of focus is categorical

Objectives

Methods

Results

Discussion

Conclusion