Abstract
Flash fiction invites the reader to co-create the story themselves. We propose that a level of ambiguity in the flash fiction text is germane. In flash fiction, ambiguity is created through the brevity of the piece with the purposeful exclusion of exposition, for instance, in a similar manner to prose poetry. We wonder, therefore, about the overlap, if any, between notions of ambiguity in flash fiction and prose poetry? Are the mechanisms of ambiguity employed in prose poetry any different from that of flash fiction? What elements are left ambiguous, and what is purposely left out? What are the differences between the two forms, if not on ambiguous terms? We propose imagination as the counterpoint to ambiguity.
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