Abstract
This paper argues that Elizabethan handbooks on poetics enact two coevolving traditions in the history of rhetoric and poetics: one sees poetry as a rhetorical art of stylistic invention, while the other sees it as an object of study, analysis, and ethical training. To show this, I examine George Puttenham's Art of English Poesy and contrast it with William Scott's recently discovered Model of Poesy. Puttenham demonstrates how poetic style works as a tool of rhetorical invention; Scott, on the other hand, treats poetics as a method of literary critical analysis. Scott's poetics, I argue, is derived from a “paideutic” tradition, the aims of which mirror those found in educational treatises that concern the hermeneutic training students received in English grammar schools. Puttenham, writing for courtiers, instead makes a case for poetics as a means of rhetorical adaptation at court—his handbook, in short, shows poetry to be a rhetorical and pragmatic art of verbal performance that exists outside the schoolroom.
Published Version
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