Abstract
The article focuses on the presence and the absence of windows, and specifically windows with shutters, car windows and rear-view mirrors in the novels by Haitian writer Louis-Philippe Dalembert. In his work, we can identify three tendencies. First of all, windows with shutters allow the passage from childhood to adulthood. Secondly, the absence of openings projects the character in heterotopias, which cause a language breakdown. Thirdly, the use of literary windows is linked with vagabondage and pays-temps. An image of the landscape is selected through a frame and we have the perception of a fragmentary vision. According to Dalembert, this world vision becomes a narrative element and a creative technique. This partial image which emerges from the symbolic space of the window allows us to talk about the childhood of the narrator from different perspectives: we can identify a geographical and temporal landscape (pays-temps) thanks to a reflection on the surface of the window and the possibility of remembering and imaging the past. Fiction is able to complete omissions, gaps, lapses.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.