Abstract
Films are a way to communicate the human experience, sometimes uniquely representing the current mood of a populace or political movement of the time. This research explores how the film The Messenger, released during the American wars in Iraq and Afghanistan, portrayed the religious and spiritual elements of American society and the experience of the soldier during wartime. It did this by employing a study of dialogue, signs, and symbols popularized by scholar Robert Bellah and his theory of the American Civil Religion. This article explores how both overt and embedded messages of religion and spirituality are intrinsically tied with the American military experience.
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